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Elizabeth Keane is an Irish émigré, living in New York with her teenage son Zach, having recently split from a husband, Elliot. When her mother Patricia dies, Elizabeth winds up back in Ireland closing up her Patricia’s affairs – in the course of which she finds a stack of letters from the father she never knew, inspiring her to fill in the missing gaps in her own life history.

The novel is told in dual timelines: Now and Then. Now is Elizabeth’s story, her quest for her past. She asks former neighbours, acts on half-heard whispers and discovers she has inherited not one but two houses. Then is Patricia’s story, set in the 1970s as she is seduced by lonely hearts letters from Elizabeth’s father, Edward Foley. This historical timeline is no mere backstory – it is the main event and although it starts out quite pedestrian, it becomes quite chilling. 

The two timelines work together to augment one another. Sometimes one timeline pre-empts the other, and sometimes it fills in details the other timeline has missed. It is handled very deftly. Together, they combine to depict an Ireland with an extensive rural hinterland that has still not completely shed its religious and moral shackles. Secrets abound – many taken to the grave after decades of silence. People’s roles in society are determined at birth and the only way to break free of those roles are to emigrate, either westwards or eastwards. And even then, the Elizabeth, Zach and Elliot situation is not without parallels to the Patricia, Elizabeth and Edward story. In particular, there is an undercurrent of the lives that gay people can be forced to live in order to comply with society’s expectations.

One of the main surprises in A Keeper is how serious it is given Graham Norton’s fame as a comedian. The reader may expect the novel to come packed with one-liners, sarcastic asides, innuendo and single-entendres. The reader may expect something over-hyped that was published only because of the famous by-line. Not a bit of it. The novel is almost completely devoid of humour; it is black, it grips social issues and in parts it is genuinely terrifying. A Keeper is a mature and thoughtful work by a writer of considerable talent. 

 

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  • 10 months later...

I have just finished this. I was a bit disappointed: the story seemed melodramatic and drawn out, and in tone it was more chicklit than I expected. He kept filling us in on minor characters' backstory when we were in a major character's POV, which really annoyed me. But I did enjoy it in parts. I thought he captured something of small town Irish life (though I am no judge of small town Irish life, to be fair). Auntie Eileen's B&B was a comic masterpiece, and I think he is very good at that sort of thing, a sort of Irish Alan Bennett.  I just hope he gets into his stride with his storytelling. 

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