This is for people who have read just the first few chapters. If you haven't yet, reading the following will be a spoiler.
I watched the R&J review and have bought the book. So far I'm maybe a dozen pages into it.
I'm not loving the double first-person narrative. It reminds me of Kevin Sampson's Outlaws, where the same story is told from multiple viewpoints. I find it just detracts from the story, and makes the book feel a bit gimmicky. Maybe it'll grow on me as I read more, and it certainly won't stop me reading it.
Secondly, I'm not yet buying into this "Chrono-Displacement Disorder" plot device. It's too Sci-Fi for my liking, and just too "handy" for the author: "I need to have the guy time travel, so here's how I've made it happen." I'm hoping it's resolved later on. If it's a premise I have to swallow just so the book could be written I'll be disappointed.
As you might have guessed, I'm not wholly convinced just yet.
What's your first impressions of the book?
I'm about halfway through (he's spending Christmas with her family and has just found out her Mum's a manic depressive - and after reading this book, love, so am I), and unless I get I get some positive feedback here, I'm giving up.
I posted my first impressions earlier, and I'm afraid it's getting worse.
Firstly it didn't grab me from the start and I read other books inbetween - always a bad sign. Still, I vowed to stick with it, and once I got past the awkward narrative structure it improved. The enforced double-narrative seemed a little contrived, and I felt whenever the authour switched voices in mid-scene Niffenegger was really forcing the change of voice to make it obvious it was now the other person narrating. Seemed a bit like Kevin Samson writing in Outlaws, where each narrator gets his own unique voice.
Secondly, the basic premise of the novel, time travel, is mishandled and cack-handedly written. Two versions of himself in the same time frame? (Believe me ladies, if we could do that to ourselves the human race would be extinct). Some evolutionary mishap in the human genome being allowed to rewrite the laws of physics? Those I could live with, but TTW is just an affront to basic common sense. I keep asking myself questions instead of losing myself in the book. Why just appear now? Why just disappear now? More important is the where? How does he go to a particular place as well a particular time?
Also, the nastiness of the bloke: "I can't help myself so I can do whatever I like." Beat people up? Sure! Rob and steal? Why not! Buy stocks cheap? Who wouldn't! Run naked through the neighbourhood? Well, I tried this, and the police would just not believe my story!
Most importantly, I don't care about the love story. So he loves her and they love each other, and so forth. I find both of them so insufferable that I don't care about their relationship(s).
I'm half-heartedly interested in the secondary goings on. I like Kimy, and I like Clare's room-mate, but can't stand the room-mate's boyfriend.
My current thinking is, "This is not a book to tossed away lightly. It is to hurled with great force."
I'd like either an incentive to finish it (bearing in mind I have a long list of others waiting on my TBR pile) or, preferably, a precis of the ending. I'm guessing she dies of some disease he can't prevent, and he knows it (of course he knows it, he just can't get involved in any ethical situation that would ruin the house-of-cards plot), but doesn't tell her.
God, I hate them both. Hey Audrey, try going back in time before Stephen Fry wrote Making History.
By Mad Dog & Glory
Having finally finished The Time Traveler's Wife last night (yes, I know, I'm a bit behind), I was left feeling a little dissatisfied. I loved it for around 200 pages, but then I thought it tailed off badly and left a lot of unanswered questions. Not only the time travel - I had no problems with suspending disbelief, although the most unbelievable part was that they were allowed to lead a 'normal' life, rather than Henry being captured and studied by the US government.
It's the so-called 'normal' life that concerns me. It seems incredible that I could read a 500+ page novel centring almost exclusively on two characters, and at the end not really have much of an idea of each other's personalities or how they went about their daily lives. At one point, Henry buys a lottery ticket knowing the result and wins several million dollars, so Clare can have a studio. No other mention is made of this. So are they millionaires? They seem to live in normal-sized house, in a normal street. So what do they do with themselves when Henry isn't time travelling? They're not watching TV, as Henry can't. They can't spend all of their time in bed.
The other huge problem with the novel is lack of conflict, which is essential to all drama. Henry and Clare have this 'perfect' relationship, and are only unhappy with each other over the miscarriages. There were all sorts of potential themes and conflicts that Niffenegger shied away from. Why does Clare never question the fact that this man came into her life at the age of 5 and, as they say, ruined her for other men?
Niffenegger seems so intent on making this the perfect love story that she misses a lot of tricks.
My guess is that Audrey Niffenegger will be a one-hit wonder. She came up with a brilliant idea, and also came up with a good structure (although some disagree), and played out every permutation of time travelling possible. But in the end a great idea can get you only so far, and I don't feel she has the skills as a novelist to get as much out of the story as was potentially there.