Everything Under is a transposition of an ancient Greek legend into modern-day England. I did not know which legend when I read the novel which allowed a slow dawning to take place. Other reviewers have named the legend and I cannot help feeling that knowing where things are heading would make the reading both simpler and less satisfying, Therefore, I will skirt around much of the plot.
Having said that knowing the direction of travel would make the reading simpler, it must be said that without this knowledge, the reading is far from straightforward. There are 8 main sections, each broken into subsections headed "The River", "The Hunt", "The Cottage", etc. These are in fact parallel narratives that continue through the novel. They are opaque in terms of who is narrating and when they take place.
This is further complicated by some characters having more than one name and more than one role; and the general absence of names through much of the work. Timelines seem to clarify and then blur again. It is not easy to see how the narratives inter-relate and for the first quarter (at least) of the text, there is a fog of confusion. There are river boats, a senile woman, a lexicographer, a cast of people who live on the canals and in the woods...
With time, little chinks of light are let into the narrative. Piece by piece, things start to fall into place. By three quarters, most pieces are in place and by the end, it is mostly transparent. It is as if the fog has lifted and some of the things that happened in the fog don't look too well in the clear light of day. Everything Under is actually a really dark and menacing work.
That doesn't make it unlovely, though The description of the houseboat community is brilliant. I took this to be set in Oxford - where our lexicographer works - but perhaps that is adding two and two and getting five. The descriptions of unconventional childhoods, of fluid gender identity, of ambiguous sexuality are all fabulous. There are abandonments - walking away from children, walking away from families. There is the kindness of strangers mixed in with the threat of monsters - the canal thief and the Bonak.
Everything Under feels perfectly balanced. The gradual reveal makes the book progressively easier to read and makes the reader feel smart as the penny drops, time after time, just before a significant detail is revealed. There is delicacy, there is complexity. I loved Everything Under.
My only reservation is that the parallels to the Greek legend slightly diminish the experience and make something bizarre and quirky feel a bit contrived. As some novels grow in power after they have been put down, this one feels a little as though it is losing its edge. But that's just me; I am sure others will feel differently. It's still a bit of a masterpiece.