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A Stranger City is an ambitious novel that seeks to draw parallels between recent history and Brexit Britain, using the stories of various members of northeast London’s diverse community to illustrate the situation. 

 

The frame on which the novel hangs is the discovery of an unidentified young female body in the River Thames. The discovery is investigated by a policeman and featured in a documentary by a filmmaker. We then broaden out and meet their families and some of the wider community. We find a community that is diverse even within the United Kingdom, including Scots, Irish and migrants from elsewhere in England. Then we find migrants from the Commonwealth and semi-recent conflict zones - Iran after the fall of the Shah. And then there are the more recent migrants from within the EU. All are seen to be integral to the London we see today. 

 

Contrast this with an England that seems to be retreating into itself, harking after the glory days of an Empire, capital punishment and boiled cabbage. Those who are smart enough, able enough, want to move away from this increasingly hostile and ignorant society. Which is ironic, since so many of them came to London precisely to enjoy a broader, global perspective and experience culture and sophistication. 

 

The story of the dead woman remains in the background. For a while it is (intentionally) confused by a parallel story of a missing social media star - a vacuous young woman who is famous only for being famous. And while the dead woman mystery is ultimately resolved, it is not satisfying. The main point is that it is possible for someone to go missing and not be missed, not be reported in this unfeeling society. Might it have been different if she had been English?

 

A Stranger City is successful in depicting a multicultural society; it makes interesting political points showing the contradiction between the current insularity and the aspirations of individual members of that society. There is some wonderful depiction of characters. But it doesn’t quite hang together as a story. It is too difficult to hold so many characters in the mind all at once, so each time a character re-appears, he or she has to be re-learned. Their inter-relationships are too opaque and the narrative drive is just not there. Which is a pity, because the descriptive writing is fabulous.

 

***00

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