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The Old Man and The Boy service an off shore wind farm out in the North Sea, way beyond being able to see land. They live on a platform (I imagine Sealand) and their view is just the sea and various generations of decaying turbines. As one turbine dies, they cannibalise its parts to repair others. The Boy is there to replace his father who broke his contract. The Old Man has always been there. They are serviced by a quarterly supply boat whose master runs a black market trading racket. He trades the lagan and jetsam that the Old Man is able to fish up from the seabed in return for the supplies that might stretch the lifespan of the turbines. 

 

There is no beginning and no end. The Boy and the Old Man have no past life; they have no future. There is no boundary to the wind farm and the sea. There is no hint of anyone who might benefit from the wind farm. 

 

The Boy and the Old Man are suspicious of each other. With just one another for company - and the creaks and grand and bangs of the plant as it is ravaged by the sea - they try to live independent lives despite being mutually dependent on one another. They care for each other and they hate each other. 

 

Bizarrely, this reminded me of the vast cattle stations in Australia, remote and isolated, farmers living in grinding poverty to supply a wealthy nation that they seldom see with their meat. And inevitably - probably intentionally - it reminded me of The Old Man and The Sea. Almost nothing happens, just the battle between man and nature that nature always wins. And then, there were also shades of the final scenes of The Truman Show as Truman sails for a shoreline he doesn't even believe exists. 

 

The book is short, the writing is spare and stylised. But despite the bleakness, there is a warmth in the writing that keeps the reader engaged. Through the boredom and drudgery and backbiting we see genuine affection that the odd couple feel for one another. We see that some of the mutual suspicion and prying might have come from good hearts. 

 

The novel is interleaved with occasional fragments from a past when Doggerland was dry land, inhabited by people who could never have imagined the horror of the grey, windswept sea. It is never clear whether these snippets were long ago and the sea is the present day, or whether the land is the present day and the sea is the future we all face. 

 

Either way, it has made me feel that we all owe a greater gratitude to those who endure hardship to support the comfortable lives that many of us lead. 

 

Doggerland is a short novel, but one that leaves a deep impression. 

 

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