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Found 9 results

  1. Joyce Carol Oates - We Were the Mulvaneys - 1996 This was the first novel I have read by this author and I liked it so much that I was keen on reading more of her. I don't ever read them quickly one after the other, though, I think it spoils the enjoyment.Anyway, I really liked this book. The characters are well described, the story is flowing well. You can imagine being there. Some parts might be a little too American but I can still imagine something like that happening over here, especially in the seventies when this story happened.(thread first started 02.05.06)
  2. Joyce Carol Oates is one of my favourite authors. She surprises me with every new novel. As she did with this one. Meredith Ruth (M.R.) Neukirchen is an abandoned and then adopted child that grows into a very successful woman. When she is at the top, she starts struggling with her past. It is amazing how ordinary events can bring up topics you have long forgotten. And it is close to a miracle how Joyce Carol Oates can bring this to life on her pages. An almost fantasy-like story, although more magic realism, a story that has it all, it's a thriller, but it's so much more than a thriller. It's a philosophical book as well as the description of a journey to find oneself.
  3. Despite her vast output, Oates’s fiction has never diluted its sense of drama. In these ten chilling stories, she returns again to a subject that has lurked in the wings of much of her fiction – violence, implicit or overt; often with the lingering undertones of non-consensual sex hanging like pheromones in the air. In the title story, an embittered middle-aged woman writes a letter to the eminent academic who seduced and then spurned her in her youth. As the letter unfolds, its obsessive detail becomes more disturbing, the woman’s derangement becoming apparent in the details she knows about her ex’s life and beloved granddaughter. We realise that this is no ordinary rebuffed person but a dangerous stalker on a mission. It’s a spine-tingling if mildly unoriginal opener. In Split/Brain a devoted woman returns home unexpectedly from her sick husband’s bedside and has the sense that an intruder is in her home. A palpable suspense builds up as the reader wonders whether she will act on her instinct or pass the point of no return. Oates’s talent for scrawling the ugly lines of human flaws is in evidence in The First Husband, where she artfully conveys the way doubt, resentment, inadequacy and jealousy seep into and poison the mind. Oates has always had a flair for vivid similes and they are present in abundance in this collection: here, a seething husband savours his private knowledge with grim satisfaction: ‘Smiling to think: like a boa constrictor swallowing its living prey paralyzed by terror, his secret would encompass Valerie’s secret and would, in time, digest it.’ Oates’s mastery of dark matters is so accepted that people sometimes forget she is also a sharp chronicler of the everyday. A real estate salesman’s smile is ‘wide and toothy yet somehow grudging, as if he resented the effort such a smile required’, and ‘when he wasn’t facing Leonard, his sulky mouth retained its fixed smile.’ Nevertheless, it is the black at which Oates excels. In Strip Poker, she revisits a favourite subject, notably the lust a predatory older man feels for an underage girl. The atmosphere is heavy with a grim sense of foreboding. It is these confused female characters Oates portrays so well – while her working-class males are often inarticulate and either idolise, are indifferent to, or abuse women, her female characters are complex. Oates’s victims of sexual threat are rarely paragons of clean living, they are real people with their own burgeoning desires who are often more mature sexually than emotionally, and frequently befuddled by drink. Her depiction of working-class rural life is on par with that of D.H.Lawrence or Faulkner, but her insight into the intricacies of the female mind offers a converse view to that of these classical male authors. There is not always a clear answer to Oates’s mysteries, and that is illustrated here by Smother, in which the reader is left wondering whether a daughter is seriously psychologically disturbed and has false memory syndrome or whether her mother is in staunch denial. At other times she affords us a glimpse of lives wasted without the comfort of the unfeasibly happy resolution fiction often offers, as in Tetanus, where a young boy on the brink of irreversible delinquency rejects the helping hand held out to him by a kind professional. Still, clean living is no guarantor of happiness either, as we find out from the shift to the latter’s own lonely personal life. In fact tragedy is often the outcome in an Oates story. In The Spill, the picture of arduous farming life painted is as tough as that of Mary Lawson, Patrick Lane or David Vann, and the capacity of stress and overwork to push an individual over the edge is shockingly credible. Sometimes, the darkness is unbearable. Any parent or relative of a young daughter will find Bleeed difficult. While Oates is never gratuitous, even a brief factual description of this kind of gruesome crime is too much. In Vena Cava, a haunting tale of a brain-damaged war veteran returning home, Oates leavens the horror to come with a rare flash of humour: ‘sag-faced teary women in puff perms to make their small heads appear larger on their bulky bodies in…stretch Orlon pantsuits observed from the rear you could not easily distinguish between those fat asses.’ Oates’s intensity can leave you devastated and drained, and her taste for melodrama leaves chinks that more nuanced authors might fill – I watched The Remains of the Day after reading this, and the tragic restraint and repression of the film of Ishiguro’s novel was a million miles from Oates. Still, the undeniable disturbance her fiction provokes is undoubtedly testament to her immense talent.
  4. This bumper novel tells a fictionalised story of Marilyn Monroe's life. Taking into account many facts from Marilyn Monroe's life Oates weaves a story of neglect, a deep yearning for love, stage fright, obsession and addiction. The Marilyn she creates in the novel is far from the one that we see on screne, and the one rumoured about. She is a fragile bubble, seemingly ready to burst at any moment. She seems to crave love, but when she has it she quickly tires and needs to move on as she needs to feel loved by another person. This is well worth a read and has restored my faith in Oates, I'd previosly loved and read We Were the Mulvaney's but then read Rape: A Love Story which really didn't work for me.
  5. Joyce Carol Oates is one of my favourite authors and this didn't disappoint. Monica Jensen is a divorcee at a time when divorce was still socially unacceptable (year not specified, but my guess was late 1960s). She moves to Pennsylvania to teach in a boys' prep school and throws herself into work. She is introduced to Sheila Trask, an artist and widow of a famous sculptor, who lives a mysterious (to the local residents) and bohemian life. The two women become friends, in an intense and dependent way - they both get something out of it, but not what either of them appears to claim. The book is really the story of their developing relationship, the social mores of the time and the pressure of loneliness that they both feel - it felt almost voyeuristic at times, but that is the power of her writing. I read in the ST at the weekend that JCO has a new novel out, although I dont' think I can justify the HB at the mo - resolve bound to weaken later.... Zebra
  6. This is about a young woman growing up and going to college in early 1960s America, before the feminist movement, when women 'were not women yet, but girls'. The main character is never named, but tries on many different names and continually reinvents herself for different people, primarily for different men. She has a rather strained relationship with her father, and her need to be what other people want is obviously a result of this. I thought the book was very well written, but I did find it a little inaccessible in that the language was very sparse. The main character's insecurities and loneliness were easy to identify with, though, as was her search for her own identity. Ultimately I thought it was a hopeful book, despite the bleak feel of much of it.
  7. The Gravedigger’s Daughter - Joyce Carol Oates - 2007 Joyce Carol Oates belongs to my favourite authors. She didn't disappoint me with her latest novel, either. The Gravedigger's Daughter is a gripping, very exciting book you just cannot put down.
  8. Joyce Carol Oates - The Falls - 2004 Just finished this novel. It's the third one I read by this author and I liked it just as well as the other ones. Her characters are so alive. As she describes every single person, you have sympathy with all of them because you can see everybody's point. I really thought I knew everyone. And, yet, you can never tell what would happen next, everything comes so unexpectedly. Great book!(thread first started 02.05.06)
  9. Joyce Carol Oates - Middle Age - 2001 A very interesting story about life in a small town and how everyone tries to hide everything from each other. Everybody knows everyone and everybody knows everyone's secrets, yet, everyone tries to pretend they don't. Sounds familiar. If not, you have probably lived in a large town all your life. You find everyone in this novel, the nice one, the evil one, the shallow one, the deep one, the deceptive one, the caring one. As I said, interesting story.(thread first started 02.05.06)
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